Where have all the flowers gone? The new dawn of Corita Kent

In 1955, Pete Seeger scotch‑taped a song to a microphone and sang it at Oberlin College. The tune was spare, almost plainspoken, but its question cut deep: Where have all the flowers gone? A lyric about war’s recursive toll, about memory slipping through generations. When will they ever learn? That same year, the acquittal of

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