Vasilis Marmatakis on the strangely traditional ways he creates Yorgos Lanthimos’ film posters

In Bugonia, Vasilis consciously restricts superfluous elements and allows the frames to breathe. Before working on any draft, the studios send him tens of thousands of film stills. Then the cutting begins: Emma Stone’s ears from one image might be joined with her face from another. It all needs to fit just right without appearing

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